who has met their partner online?

[aaa]

My brother. Match.com.

 

[hilary1617]

@RockDoc , glad you're out enjoying the music! In my experience, MIL's can be very complicated relationships - it's nice you are close to yours and your new friend must be very special if she is accepting. Your post made me think of a brilliant old friend, Jimmy Adams, a singer/songwriter/player of the guitar, mandolin and spoons, who hailed from Ventura, CA and Nashville, TN and used to play at bluegrass festivals. He passed away unexpectedly a few years back during eye surgery of all things. Here's a couple of links - maybe you knew him - maybe you'll enjoy his songs:
This is my favorite ballad (I think I'll go down to the ocean) ==>
Here are some more traditional of his country/folk songs: https://itunes.apple.com/us/album/there-comes-a-time/id295026486

 

[JackieOnLine]

Almost me. My hubby died about a year and a half ago, and I've been caretaker for his 95-year old mother ever since. A friend was convinced I needed a sweetie again and with the help of a lot of (nice organic) wine talked me into setting up an account on match. I was blatantly right out there on my profile -"overeducated country girl with cats and a temper". And they came out of the woodwork! I panicked and shut down the account.

I have only dated a tiny bit but know folks who have a lot (@cajungirl: thinking of SinKim) and they tell me any new woman brings a swarm of men that then dies down. no idea if it's true but supposedly once you've been available for awhile men think there must be something wrong with you.

not that it couldn't have just been your profile, complete with photo I assume, tempting those men!

you can play spoons? !!

 

[RockDoc]

I have only dated a tiny bit but know folks who have a lot (@cajungirl: thinking of SinKim) and they tell me any new woman brings a swarm of men that then dies down. not that it couldn't have just been your profile, complete with photo I assume, tempting those men!

you can play spoons? !!

No photo - maybe that was the key. That and maybe that I was a new widow recently retired - they must have figured I was rich. Poor fools.

Learned spoons at Clifftop WV a few years ago, in the grip of weekend exhaustion (and just maybe a little wine...). It's fun, but a lot of talented instrument players don't like 'em a lot, so you have to pick your venues carefully and not get pushy. They're a lot easier to carry around than a banjo.

 

[RockDoc]

@RockDoc , glad you're out enjoying the music! In my experience, MIL's can be very complicated relationships - it's nice you are close to yours and your new friend must be very special if she is accepting. Your post made me think of a brilliant old friend, Jimmy Adams, a singer/songwriter/player of the guitar, mandolin and spoons, who hailed from Ventura, CA and Nashville, TN and used to play at bluegrass festivals. He passed away unexpectedly a few years back during eye surgery of all things. Here's a couple of links - maybe you knew him - maybe you'll enjoy his songs:
This is my favorite ballad (I think I'll go down to the ocean) ==>
Here are some more traditional of his country/folk songs: https://itunes.apple.com/us/album/there-comes-a-time/id295026486

I could swear I replied to this but don't see it. (I'm new here - duh.) Loved the ballad - it reminded me of other days on other coasts long ago. I can't make the other link work on this iPad so will try on my desktop. Yes, my MIL. Is pretty cool. And she raised a great son.

 

[RockDoc]

I can at least hear the Jimmy Adams samples on this system - really enjoyed them. (Great spoons music...)

This is what I want to learn how to do:

(Don't know how to embed an active link, but you can copy and paste.)

 

[hilary1617]

Fun! Time to put on those dancing shoes!

 

[JackieOnLine]

but you DID embed the video...or someone did.

what is that, clogging? tap dancing? I like it.

 

[Cbramsey]

My dh and I did...back on Jan 28th 1996, thru match.com. That was back when it was FREE and they were about the only online site out there.

We actually met in person on Feb 28th, got engaged sometime in March or April...and were married on Sept 28th 1996.

Guess I had better like this or I will be sleeping in the dog house!!!

 

[RockDoc]

but you DID embed the video...or someone did.

what is that, clogging? tap dancing? I like it.

Flatfoot clogging. Not sure what its history is that's different from regular clogging, but it's fascinating to watch. That fellow has been eastern US champion for the past couple of years.

 

[Munchkin]

I did too. On Plenty of Fish.

 

[southernlady]

Flatfoot clogging. Not sure what its history is that's different from regular clogging, but it's fascinating to watch. That fellow has been eastern US champion for the past couple of years.

https://en.wikipedia.org/wiki/Clogging
Actually there isn't a big difference...except maybe the fact that flatfoot clogging is usually done solo and most of the cloggers in this area usually do their clogging as part of square dancing.

United States
Clogging is the official state dance of Kentucky and North Carolina and was the social dance in the Appalachian Mountains as early as the 18th century.

Antecedents
In the United States, team clogging originated from square dance teams in Asheville, North Carolina's Mountain Dance and Folk Festival (1928),|work=Event overview and History, Folk Heritage Committee [11] organised by Bascom Lamar Lunsford in the Appalachian region.

American Clogging is associated with the predecessor to bluegrass—"old-time" music, which is based on Irish and Scots-Irish fiddle tunes. Clogging developed from aspects of English, Irish, German, and Cherokee step dances, as well as African rhythms and movement. It was from clogging that tap dance eventually evolved. Now, many clogging teams compete against other teams for prizes such as money and trophies.

Terminology
Solo dancing (outside the context of the big circle dance) is known in various places as buck dance, flatfooting, hoedown, jigging, sure-footing, and stepping. The names vary in meaning, and dancers do not always agree on their use. The term 'buck', as in buck dancing, is traceable to the West Indies and is derived from a Tupi Indian word denoting a frame for drying and smoking meat; the original 'po bockarau' or buccaneers were sailors who smoked meat and fish after the manner of the Indians.[12] Another source states that the word "bockorau" can be traced to the "Angolan" word "buckra', and was used to refer to white people,[13][14] which is disputed.[15] Eventually the term came to describe Irish immigrant sailors whose jig dance was known as 'the buck.'"

One source states that buck dancing was the earliest combination of the basic shuffle and tap steps performed to syncopated rhythms in which accents are placed not on the straight beat, as with the jigs, clogs, and other dances of European origin, but on the downbeat or offbeat, a style derived primarily from the rhythms of African tribal music.[16]

Buck dancing was popularised in America by minstrel performers in the late 19th century. Many folk festivals and fairs utilise dancing clubs or teams to perform both Buck and regular clogging for entertainment.

Traditional Appalachian clogging is characterised by loose, often bent knees and a "drag-slide" motion of the foot across the floor, and is usually performed to old-time music.

Competitive clogging
Four organisations sanction competitive events in the modern American clog dancing world.

The longest running of the organisations, the National Clogging and Hoedown Council, began in 1974 and is now a part of the C.L.O.G. National Clogging Organization. The sanctioning body hosts its annual grand championships at the Opryland Hotel in Nashville, Tennessee each Labor Day Weekend. The N.C.H.C. was influential in establishing the basic rules and scoring guidelines that have shaped clogging competition. Information about the organisation can be found on its website at www.clog.org .

America's Clogging Hall of Fame (ACHF) is a non-profit organisation dedicated to the preservation of the old time square dance and clogging. ACHF was founded by Dan and Sandy Angel in 1981. ACHF calls the Stompin' Grounds in Maggie Valley, North Carolina its home.

ACHF sanctions many competitions throughout the year where teams and dancers can qualify to compete in the ACHF National Championships dance-off the last full weekend in October at the Stompin' Grounds. Any team finishing 1st or 2nd with each dance in TWO sanctioned competitions qualifies to compete at the World Championships Dance-Off. Also, all grand champion solo winners at each sanctioned event earn the opportunity to compete in October for a chance to dance on the Grand Ole Opry in Nashville, Tennessee.

America's Clogging Hall of Fame honours many of its dancers at the October Championships. An All-American Clogging Team is selected each year through a nominating and selection process in which 24 of our best dancers are chosen. ACHF also selects 16 dancers to the Junior All-American Team and 4 dancers to the Senior All-American Team each year. These dancers are showcased at the National Championships. Also honoured at the National Championships are at least two individuals who are inducted into America's Clogging Hall of Fame. These inductees have been clogging for at least 25 years and have been a positive influence in the preservation of the dance. College scholarships are also awarded in October for up to three deserving students.

The ACHF competition year runs from 1 October to 30 September. A list of those competitions and information is available on the organisation's website at www.achf.net.

Clogging Champions of America (C.C.A.) was formed in 1998 to generate more activity and interest in clogging and competition, to promote a spirit of fun and fellowship, and to make sure the beginner clogger will get to enjoy competing as much as the clogger who has been in it for years. The goal of C.C.A. is to create an atmosphere of spirited and sportsmanlike competition, and to provide more opportunities for cloggers within the competitive and entertainment realms. Competition, C.C.A. feels, is a healthy and entertaining part of clogging because it offers dancers the opportunity to travel to different locations – meeting new clogging friends, step sharing, and supporting each other competitively.

C.C.A. devised a system to give the amateur dancers a chance to gain their self-esteem and prepare them to finally compete against more experienced teams. At any Clogging Champions of America affiliated event, a team qualifying as an Amateur – having never won a first place honour in a clogging competition, may compete under Amateur status now for two (2) C.C.A. calendar years, January to December. At each Clogging Champions of America event, the top three scoring teams in each category and division of Challenge, including Junior and Senior, will qualify to dance at the Showdown of Champions which will be held at the beginning of the following year. The top four scoring teams in each category of Amateur will also qualify for the next year's Showdown of Champions. You only need to qualify once per category, but you may dance at any or all affiliated competitions, and you will receive "Star" Points for doing so. In 2011, the C.C.A. organisation added a STARZ level of competition to its events which gives competitors the chance to be judged against a point system rather than each other, making every dancer recognised.

To recognise clogging's brightest, C.C.A. devised the Showdown of Champions, which brings together the winners from the best competitions in the country to compete under one roof. They also recognise the Solo dancer. First place Solo winners in each age division from each competition will qualify for the Showdown of Champions. The Showdown of Champions draws the most geographically diverse attendance of any of the sanctioning bodies, with teams from East to West Coast participating on a regular basis. The organisation's website is www.ccaclog.com

America Onstage is a clogging and dance competition circuit based in Utah. The organisation hosts events in Utah, Idaho and Arizona during the months of February through May culminating in a three weekend dance-off at Lagoon Amusement Park. The organisation's website is www.americaonstage.org.

Fusion, or the adding of new styles into another, has continued to affect clogging. Modern competitive clogging, also called precision clogging, is inspired by traditional styles but performed to a wide variety of music, including bluegrass, modern country, rock music, pop, and hip hop. Today competitive precision clogging has several sanctioning bodies that oversee competitions held throughout the United States, with the majority located in the southeastern states. The style has also evolved from flat foot to dancing on the balls of the feet. Toe stands are a recent adaptation from other dance forms. These high-energy styles have opened the forum to a wide audience with hundreds of workshops and competitions every year.

Clogging shoes are often black, white, or black and white, and generally have double taps or "jingle taps". There are four taps on each shoe—-two on the toe, and two on the heel. One is securely fastened to the shoe, while the other is more loosely fastened and hits both the floor and the fastened tap while dancing or simply walking about. Cloggers with this type of tap can be heard on carpet as well as hard surface floors.

One more recent example of clogging is the dance show America's Best Dance Crew on MTV, where Dynamic Edition danced their way through the 3rd season, all the way to 5th place. Another recent example of clogging is a talent show America's Got Talent on NBC, where Extreme Dance FX from Season 3 and Fab Five from Season 4 danced their way of clogging.

Green Grass style clogging is a relatively recent style of Appalachian "folk clogging" developed by and associated with the Green Grass Cloggers of Greenville, North Carolina (and later also of Asheville, North Carolina). They began in 1971 as students at East Carolina University in Greenville. Their style is not traditional flatfooting, nor is it traditional mountain-style clogging, or contemporary precision clogging, but it is a form of precision clogging in the sense that it features choreographed routines where the dancers are all dancing in unison (same steps at the same time), while moving through figures. The figures are taken from western square dancing, rather than from traditional southern Appalachian dancing. It is usually performed to old-time music.

More history of clogging here: http://www.doubletoe.com/history.htm

Growing up, I did attend square dances near Cedar Mtn, NC (Transylvania County) where clogging was very common and even tried it but was never coordinated enough to pull it off!

 

[Elizabeth N.]

Found this gem on Youtube:

 

[southernlady]

You can SERIOUSLY work up a sweat doing that...which is why most participates (esp the men) came to square dances with a towel for their neck...and try dancing like that for the better part of 3 to 4 hours! The caller had the hardest job as he seldom, if EVER, had a backup.

 

[southernlady]

For those interested in the history: http://www.oldtimeherald.org/archive/back_issues/volume-8/8-2/full-squr-dance-haywood.html What I attended as a teen were the barn held community square dances. Almost always the "big set".